How does this relate back to SoundCloud you might ask? Email for NetworkingĮveryone has an email. that doesn’t rely on a platform that could be gone soon.that goes to a place they check very often.Once you know who to send music to, then you need to figure out how.ĭownload for free Strategy 3: Email is still King Don’t be too scared if your music isn’t exactly the same as what’s already there, but if it’s too different, it’ll likely get a pass.

So play a few of their previous uploads/shares and make a decision. They are already looking for very specific kinds of music for their tastes. Don’t go messaging someone just because they have a lot of followers. The key here is to find channels that are a good fit for your music. Radio stations (some play directly off SoundCloud!).Just because they don’t have larger audiences on SoundCloud, doesn’t mean a blog or YouTube channel can’t send lots of plays your way. This could come in the form ofĭon’t ignore offsite audiences as well. People dedicate their lives to finding and sharing music to audiences that love it, so you.įind channels on Soundcloud that can share your music to larger numbers of people than you ever could. So don’t reinvent the wheel, use these people to your advantage. There are people who are always going to be better at marketing music than you. This might be confusing to say, but it’s true.

Be patient and keep making a large volume of music.Get feedback from listeners, tastemakers and other artists.Make sure your core musical ideas are solid – production, mixing and mastering won’t matter otherwise.So how do I make my music ‘better’? That’s another topic entirely, and that’s also why we have courses like EDM Foundations and Songwriting for Producers.

So while promoting music online is important, getting feedback and taking that into the studio will prove to be a much more valuable use of time. Plus, you’re likely to get valuable feedback from the public if you ask for it, allowing you to gauge what will and won’t work. One of my newer drum & bass tracks, a bootleg of Porter Robinson’s Get Your Wish, got a lot of plays and was shared a lot more, because this track is much higher quality than my old stuff.īut this begs the question – should I upload my music if it’s not 100% there yet? This is arguable, but on a platform like SoundCloud, the stakes are much lower, with removing tracks being just a click away.

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